A lot of essays have been written around the world that are based on this famous quote The show will be a magnificent, opulent, tremendous, stupendous, gargantuan bedazzlement. A sensual ravishment. It will be spectacular, spectacular. No words in the vernacular can describe this great event, you'll be dumb with wonderment. . . . And on top of your fee, youll be involved artistically.
Harold Zidler (proprietor of the nightclub in Baz Luhrmanns 2001 filmMoulin Rouge) suggests the thought of a theatre play to his financier, and therefore, the audience. Meanwhile, he competently defines the essential highlights ofMoulin Rougeas well as the key component of the whole film genre called Red Curtain Cinema. The term clarified by the director and entertainer Luhrmann, signifies films with a straightforward narrative set during a heightened and theatric world. Red Curtain Cinema is a film of embellishment and the main target of these films is to captivate, engage, and stimulate the crowd as opposed to depict an everyday reality. Harold Zidlers affirmation that on one hand, the show will be breathtaking and fabulous but on the other hand, the demand audience is what characterizes Luhrmanns Red Curtain Cinema and seperates it from traditional Hollywood cinema. By utilising dancing, music, and costumes to go with the dramatic story, these movies stimulate all senses and heighten the movies experience which makes viewers mindful of the masterfulness and simulation. Red Curtain films help in engaging the audience by utilising theatrical in lieu of naturalistic cinema devices. This methodology of telling a story is an attentive choice which can be related to Luhrmanns experience in arts and media.
Additionally, he has delivered music videos and worked in fashion and journalism. Hence, it isnt amazing that each of the experience impacted his present work. The directors films are portrayed in a theatric manner which associates to singing and dancing with quick cuts and editing, giving the feeling that one is interested in live action instead of simply sitting passively in the auditorium.
Red Curtain Trilogy, which is what Luhrmann is best known for, comprises of three films. The two romantic tragedies are Moulin Rouge and Romeo Juliet and the romantic comedy, is his last piece Strictly Ballroom. To keep the audience engaged, he uses a theatre motif, to stimulate and produce a recurring mood and theme and forward the narrative.
This can easily seen in his trilogy where each of the films employ a different set of emotions all together. Romeo and Juliet uses the traditional form of English poetry and drama and the characters communicate in iambic pentameter to demonstrate Shakespeares play. The characters express their thoughts and feelings with the help of songs in Moulin Rouge. And, in Strictly Ballroom, the characters demonstrate their feelings through dancing.
These three films comprise and utilise a number of techniques which help in defining what the audience see and how they perceive it. Lurhmann also makes a vivid use of visual aesthetics as it allows the films to become self-reflexive. On the other hand, it also critisizes how visual media influences the cinema. Most of his films rely on the concept and technique that is widely known as sense of sight as he believes that looking can be enjoyable but at the same time, it could deceive someone. His films may overwhelm the viewers through the exotic visual appeal but they might also state that theres an excessive use of visual stimuli.
Red Curtain cinemas essential component is visuality, which can be seen easily in each of the three films. They also make use of different reflective surfaces such as water, glass, and mirrors that extend the feelings, thoughts, and emotions of the various characters. This beautifully illustrates the characters thoughts and emotions. On the other, it also shows that they are somewhat unreliable due to duplicity. In cinema, the lighting element is of special importance as it is only through looking or seeing, that the film can be experienced.
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